atlantic records vice president of a&r

[10][11][12] In the early fifties, Atlantic moved from the Hotel Jefferson to offices at 301 West 54th St and then to 356 West 56th St. Atlantic's first recordings were issued in late January 1948 and included "That Old Black Magic" by Tiny Grimes and "The Spider" by Joe Morris. Their assignment to work on The Drifter's next recording was given to Phil Spector. Staff engineer Tom Dowd recalled, "Tokyo Rose was the kindest name some people had for her"[8] and Doc Pomus described her as "an extraordinarily vitriolic woman". Jones was an accounting major at Maryland University who planned to be a doctor . [53] Months later the company was reeling from the successive loss of its two biggest artists, Bobby Darin and Ray Charles, who together accounted for one-third of sales. "[7] The label's office in the Ritz Hotel in Manhattan proved too expensive, so they moved to a room in the Hotel Jefferson. The announcement was made today by Atlantic Chairman/COO Julie Greenwald and Chairman/CEO Craig Kallman . She was injured in a car accident en route to New York City, but Atlantic supported her for nine months and then signed her. Over the course of two decades, starting from the release of its first recordings in January 1948,[3] Atlantic earned a reputation as one of the most important American labels, specializing in jazz, R&B, and soul by Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding. Both albums went platinum, and it was the first rap album to go platinum for WEA Distribution. 1 pop hit. 1 R&B hit, but it only reached No. Our costs began at the production levelthe pressing, and distribution, and promotion, and advertising. . 9), "Respect" (Soul and Pop No. From Ertegun he learned how to treat musicians.[73]. Atlantic signed the band to an exclusive five-year contract, one of the "most substantial" in the label's history[74] Zeppelin recorded for Atlantic from 1968 to 1973. After hearing the song's sparsely-arranged opening section, Ertegun said: "Where's the backbeat, man? With Chairman Jerry Weintraub leaving the company abruptly, the new management team didn't want to continue having a recording company. Two members of The Robins formed The Coasters and recorded hits for Atlantic, such as "Down in Mexico" and "Young Blood". In 1956 he started the '8000' popular series (selling for $3.98) for the label's few R&B albums, reserving the 1200 series for jazz. MTB presented Bring Back the Music every Wednesday night at the Hilton Hotel (now Westgate) in Las Vegas. Wexler's protg Jerry L. Greenberg replaced him and played a role in Atlantic's success during the 1970s. After a stint at Infinity Records (They closed apparently Infinity wasnt forever, she cracks), Ganis arrived at Warner Musics Atlantic label and quickly became a legend at the company and within the industry. [55], In 1960, Atlantic's Memphis distributor Buster Williams contacted Wexler and told him he was pressing large quantities of "Cause I Love You", a duet between Carla Thomas and her father Rufus which was released by the small label Satellite. "The Salty Socking Soul of Lotti Golden". 1), "Baby, I Love You" (Soul No. 1 again in MarchApril 1952 with "5-10-15 Hours". 1, Pop No. [19] After Brown left the label in 1961, her career declined, and she worked as a cleaner and bus driver to support her children. 1, Pop No. Later that year The Clovers' "One Mint Julep" reached No. 6 on the R&B chart. He had recommended moving the company's multitracks and unreleased recordings to the building after Ertegun had complained about the aforementioned tapes taking up too much space in the company's Manhattan offices in New York. The Harlemaires. A few weeks later Brown's "Teardrops from My Eyes" became its first million-selling record. His agent David Geffen went to Wexler to ask for Stills to be released from his Atlantic contract because Geffen wanted Stills' new group to sign with Columbia. Darin returned to Atlantic in 1965. Wexler was a fan of Burke's and had long wanted to sign him so when Burke told Wexler his contract with his former label had expired Wexler replied: "You're home. [30] Wexler is credited with coining the term "rhythm & blues" to replace "race music". Atlantic offered $25,000 which, Ertegun later noted, "was all the money we had then. [2] Craig Kallman is the chairman of Atlantic. Wexler's success for Atlantic was the result of going outside jazz to sign acts who combined jazz, blues, and rhythm and blues, such as Ray Charles, Joe Turner, and Aretha Franklin. Initially, Atlantic and Atco operated entirely separately from the group's other labels, Warner Bros. Records and Reprise Records, and management did not interfere with the music division, since the ailing movie division was losing money, while the Warner recording division was booming by mid-1968 Warner's recording and publishing interests were generating 74% of the group's total profits.[63][64]. Wexler taught Greenberg all about recording, producing, finding songs, and the day-to-day tasks of running a major label. By 1979 Genesis drummer/singer Phil Collins was considering branching out into a solo career. The announcement was made today by Atlantic Chairman/COO Julie . Sam Riback has been working as a Vice President of A and R at Atlantic Records for 21 years. Variety is a part of Penske Media Corporation. In 1966 Atlantic signed a licensing deal with Polydor which included the band Cream, whose debut album was released by Atco in 1966. Even then, Kalodner was turned down by twenty-six producers before he found someone willing to take on the project. In 1978, Atlantic finally broke the leading UK progressive group Genesis as a major act in the US. [31] Ertegun and Wexler realized many R&B recordings by black musicians were being covered by white performers, often with greater chart success. [60] He brought Atlantic musicians to Memphis to record. Ganis began her career as an assistant at Polydor Records and quickly became the first female on the companys national promotion staff. 2013 to Present - Greenberg forms new EDM label with partners from Ibiza, Spain. Ertegun recommended Mo Ostin to succeed Maitland as Warner Bros. Records president. The label was originally formed as an outlet for blues and deep Southern soul; its first single, Otis Clay's version of "She's About A Mover", was an R&B hit. During his tenure as president of several major labels, Jerry has signed such acts as ABBA, The Blues Brothers, Foreigner, Genesis, TS Monk, Whitesnake, Chic, Nile Rodgers, Dr. Dre & Eazy-E (Production Deal), Motrhead, Brownstone and 3T. Jerry L. Greenberg is an American music executive, who at 32, was the youngest president of any major record company in the recording industry and received that title in 1974 as President of Atlantic Records . Atlantic Records has named Keith "Keefa" Parker Vice President of A&R. Based in Los Angeles, Parker most recently served as an executive producer on Roddy Ricch's No.1 album, Please Excuse Me for Being Antisocial. [13] In its early years, Atlantic concentrated on modern jazz[11][14][3] although it released some country and western and spoken word recordings. 1967 - Jerry Wexler asked Greenberg to become his personal assistant at Atlantic Records. Atlantic Business Interiors offers a vast array of office furniture and equipment, and combine that with an in-depth knowledge of workplace layout and ergonomics to ensure you make the most of your office space and give your workforce the best work . "Queen of the Hop" made the Top 10 on both the US pop and R&B charts and charted in the UK. [52], Atlantic was doing so well in early 1959 that some scheduled releases were held back, and the company enjoyed two successive months of gross sales of over $1 million that summer, thanks to hits by The Coasters, The Drifters, LaVern Baker, Ray Charles, Bobby Darin, and Clyde McPhatter. In 1964 they approached Jerry Wexler and proposed a merger with Atlantic. In February 1953, Herb Abramson was drafted into the U.S. Wexler dismissed developments in pop music, dubbing the musicians "the rockoids". Wexler disliked him. Brown received a voluntary payment of $20,000 and founded the Rhythm and Blues Foundation in 1988 with a donation of $1.5 million from Ertegun. Following his departure, Ertegunwho had previously taken little interest in Atlantic's business affairstook decisive control of the label[66] and quickly became a major force in the expanding Warner music group. Greenberg was asked to stay on and produce movie soundtracks, and in turn, ended up working with such greats as Mel Brooks on the soundtrack for the 1987 comedy, 'Spaceballs.'. Leiber, Stoller, Goldner, and Wexler suggested their plan to Ertegun at a lunch meeting at the Plaza Hotel in New York. With her promotion, Clark will take . ")[76] Prager persisted with Atlantic, even though their A&R department and label President Jerry Greenberg repeatedly rejected Foreigner; it was Kalodner's dogged belief in the group (and a live audition) that finally convinced Greenberg to allow Kalodner to sign them and take them on as his personal project. Join to view profile Atlantic Records. Irene received a Bachelor of Science degree from Saint John's University. Ahmet Ertegun liked him, but Leiber said, "He wasn't likable. 1 in February and March 1953. He became Vice President of A&R at Atlantic, while continuing to oversee Big Beat. [1]. white) audience. Collins later commented, "We didn't use his version, but we knew what he was getting at. In July 1954, Wexler and Ertegun wrote a prescient article for Cash Box devoted to what they called "cat music"; the same month, Atlantic had its first major "crossover" hit on the Billboard pop chart when the "Sh-Boom" by The Chords reached No. In 1968 Peter Grant flew to New York with tapes of the debut album by British rock band Led Zeppelin. Pictured (l-r): Michael Kyser, Atlantic Records . According to Greenberg, Ertegun had long seen the UK as a source of untapped talent. The Rainbow Bar & Grill in Las Vegas recreates the Hollywood location with red leather booths and rock-n-roll memorabilia adorning the walls. DZ Atlantic President Testifies to Nebraska Legislature in Support of Nuclear Workforce Development - Part 1 of 2 DZ Atlantic President Ross McConnell and Day & Zimmermann Senior Vice President of Nuclear Operations James Chesnut testified February 16 before the Nebraska Legislature's Natural Resources Committee in support of Legislative Bill 568, the Nuclear and Hydrogen Development Act. Michael Kyser named President of Black Music at Atlantic in US February 3, 2011 By Music Business Worldwide Michael Kyser has been appointed as the first-ever President of Black Music for the Atlantic Records Group. Much of Atlantic's renewed success as a rock label in the late 1970s can be attributed to the efforts of renowned A&R manager John Kalodner. Jeff Levin started at Atlantic in 2010 and has since A&R'd a wide range of artists across the Warner . [3] [4] The union action forced Atlantic to use almost all its capital to cut and stockpile enough recordings to last through the ban, which was expected to continue for at least a year. [44] In 1965, Atlantic formed a budget label called Clarion Records. Over the next four years he was instrumental in signing a string of major acts including Foreigner, AC/DC, Peter Gabriel and Phil Collins. Atlantic's early stereo recordings included "Lover's Question" by Clyde McPhatter, "What Am I Living For" by Chuck Willis, "I Cried a Tear" by LaVern Baker, "Splish Splash" by Bobby Darin, "Yakety Yak" by the Coasters and "What'd I Say" by Ray Charles. [49], Atlantic tolerated Spector but with diminishing returns. It was not until the mid-1960s that multitrack recorders became the norm in English studios and EMI's Abbey Road Studios did not install 8-track facilities until 1968. In 1969 Stephen Stills was still signed to Atlantic under the contract dating from his time with Buffalo Springfield. He wore T-shirts reading "Atlantic Records sucks" while performing live and, in the music video for "White & Nerdy", he defaces Atlantic's article on Wikipedia, replacing the page with "YOU SUCK!" Atlantic missed an important signing in 1955 when Sun owner Sam Phillips sold Elvis Presley's recording contract in a bidding war between labels. As an assistant at Atlantic Records for 21 years for WEA Distribution a! 1968 Peter Grant flew to new York with tapes of the debut album was released Atco! N'T likable a solo career down by twenty-six producers before he found someone willing to take the... A licensing deal with Polydor which included the band Cream, whose debut album was released by Atco 1966... Recording, producing, finding songs, and promotion, and it was the first rap album to platinum! N'T want to continue having a recording company song 's sparsely-arranged opening,. After hearing the song 's sparsely-arranged opening section, Ertegun said: `` Where 's the,... 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